康熙年制青花人物大盤

青花瓷又稱白地青花瓷,常簡稱青花,中華陶瓷燒製工藝的珍品。是中國瓷器的主流品種之一,屬釉下彩瓷。它是用含氧化鈷的鈷礦為原料,在陶瓷坯體上描繪紋飾,再罩上一層透明釉,經高溫還原焰一次燒成。鈷料燒成後呈藍色,具有著色力強、髮色鮮豔、燒成率高、呈色穩定的特點。目前發現最早的青花瓷標本是唐代的;成熟的青花瓷器出現在元代;明代青花成為瓷器的主流;清康熙時發展到了頂峰。明清時期,還創燒了青花五彩、孔雀綠釉青花、豆青釉青花、青花紅彩、黃地青花、哥釉青花等品種。

康熙年制青花人物大盤

青花瓷具有非常高的欣賞和收藏價值,歷來受到全世界人民的喜愛,青花瓷的歷史價值非常高,起源於唐代。宋代青花瓷雖有生產,但仍屬於初級階段,發展緩慢,傳世器物很少。元代青花瓷趨向成熟,尤以江西景德鎮青花瓷最為精緻,有一定數量的青花瓷器傳世。

元代的青花瓷器發展已比較成熟,青花料在當時分為進口和國產兩種,早期使用的色料來自海外,稱為“蘇麻離青”或“蘇渤泥青”,簡稱“蘇青”。元代青花瓷的胎體一般較為厚重,色彩鮮豔、構圖繁密,採用多層裝飾,花紋以龍鳳、魚藻、鴛鴦、荷鷺、纏枝花、山水、人物故事居多。內容豐富,筆法自由,生動傳神;畫面層次豐富,構圖飽滿,裝飾性極強。許多器物畫有八寶、蓮花、海馬和大雲頭等紋飾,明顯受到喇嘛教藝術的影響。元青花造型優美,古樸端莊。既有恢弘雄偉的大器,如大罐、大盤、大碗等;也有精細靈巧的小器,如胎體輕薄的高足碗、高足杯、匜、盤等。元青花線條蒼勁有力,平塗結合勾、皴、點、染,表現了與水墨畫相同的藝術效果,顯示出元代工匠高超的繪畫才能。

康熙年制青花人物大盤

清代,康熙、雍正、乾隆三代皇帝對瓷器的生產工藝、胎釉質地、畫面裝飾都十分關注,甚至到了事必躬親的地步,使清代青花瓷的製作技藝水平達到一個新的高度。民窯青花在紋飾方面,顯得更加生動活潑,形式多樣,充滿生活氣息。出現了許多歷史題材和戲曲故事畫,如歲寒三友、米芾拜石、《西廂記》《三國演義》等。在瓷坯上繪畫,一種顏色能表現出濃淡深淺多種層次,與中國畫“墨分五色”一樣,有“料分五色”之說。官窯青花,器物大小要求適度,畫面效果重視神韻,造型變化講究韻律。民窯青花則不拘一格,運筆熟練剛健,畫風自然隨意,具有很強的民間風格。

康熙年制青花人物大盤

此件“康熙年制青花大盤”,底款“大清康熙年制”。 盤心主題紋飾為人物故事圖,畫面人物比例得當,注重人物表情、性格的刻劃。輪廓、衣紋線條流暢,乃至人物衣飾有平塗。造型規整,胎質堅密,釉汁滋潤,圖案豐富,主次分明,青花色調淡雅。無論胎釉,還是髮色畫工都充分體現了康熙時期的較高水準,具有很高的藝術性和觀賞性。

Blue and white porcelain also known as white blue and white porcelain, often referred to as blue and white, Chinese ceramics firing process treasures。 It is one of the mainstream varieties of Chinese porcelain and belongs to underglaze colored porcelain。 It is made of cobalt ore containing cobalt oxide as raw material, painted on the ceramic body, and then covered with a layer of transparent glaze, through high temperature reduction flame firing。 Cobalt is blue after firing, which has the characteristics of strong coloring, bright hair color, high firing rate and stable color。 The earliest specimens of blue and white porcelain were found in the Tang Dynasty。 Mature blue and white porcelain appeared in the Yuan Dynasty; Blue and white porcelain became the mainstream in Ming Dynasty。 It reached its peak in the reign of Emperor Kangxi of the Qing Dynasty。 Ming and Qing Dynasties, also created and burned blue and white multicolor, malachite green glaze blue and white, bean green glaze blue and white, blue and white red color, yellow blue and white, brother glaze blue and white and other varieties。

Blue and white porcelain has a very high appreciation and collection value, has always been loved by people all over the world, blue and white porcelain has a very high historical value, originated in the Tang Dynasty。 Although the blue and white porcelain was produced in the Song Dynasty, it was still in its primary stage with slow development and few artifacts handed down from generations to generations。 Blue and white porcelain in the Yuan Dynasty tended to mature, and Jingdezhen blue and white porcelain in Jiangxi Province was the most delicate, with a certain amount of blue and white porcelain handed down from generation to generation。

Blue and white porcelain of the Yuan Dynasty has been relatively mature, blue and white material at that time is divided into imported and domestic two kinds, the early use of color material from overseas, known as “Su Ma Liqing” or “Su Bo Niqing”, referred to as “Su Qing”。 The body of the blue and white porcelain of the Yuan Dynasty was generally thick and thick, with bright colors and dense composition。 It was decorated with multiple layers, with patterns of dragons and phoenixes, fish and algae, mandarin ducks, lotus herons, twisted branches and flowers, mountains and rivers, and characters and stories。 Rich content, free brushwork, vivid; The picture level is rich, the composition is full, the adornment is extremely strong。 Many of the artifacts are decorated with eight treasures, lotus flowers, seahorses and large clouds, clearly influenced by the Lamaist art。 Yuan blue and white elegant shape, simple and dignified。 Both grand and majestic large, such as big pot, large plate, bowl, etc。; Also have fine and dexterous small implement, if the fetal body is light and thin tall foot bowl, tall foot cup, 匜, dish, etc。 The blue and white lines of the Yuan Dynasty are vigorous and powerful, and the combination of flat painting and chapping, chapping, dotting and dyeing shows the same artistic effect as ink painting, showing the superb painting ability of the craftsmen of the Yuan Dynasty。

In the Qing Dynasty, the three emperors Kangxi, Yongzheng and Qianlong paid much attention to the production process, the enamel of the fetus and the decoration of the picture, even to the point that they had to do everything personally, which made the production skill of blue and white porcelain in the Qing Dynasty reach a new height。 In terms of ornamentation, the blue and white of the folk kiln is more lively, diverse in form and full of life atmosphere。 There are many historical themes and opera stories, such as the Three Friends of the Cold, Mi Fu Bai Shi, “The Romance of the Western Chamber” and “The Romance of the Three Kingdoms”。 In painting on porcelain blank, one color can show various levels of shades and shades。 Just like the Chinese painting “ink has five colors”, there is a saying that “material has five colors”。 Official kiln blue and white, the size of the vessel is appropriate, the picture effect attaches importance to verve, modelling changes pay attention to rhythm。 The blue and white folk kiln is not eclectic, skilled and vigorous, the painting style is natural and casual, with a strong folk style。

This “Kangxi year blue and white market”, the bottom of the “Qing Dynasty Kangxi year”。 Disk heart theme decoration for the character story map, the picture of the proportion of the characters, pay attention to the expression of the character, character characterization。 The outline, the lines are smooth, and even the figures have flat painted。 The shape is regular, the fetal quality is firm and dense, the glaze juice is moist, the pattern is rich, the primary and secondary is distinct, the blue and white color is quietly elegant。 No matter the body glaze, or hair color painting workers have fully reflected the higher level of Kangxi period, with a high artistic and ornamental。

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