清厭勝錢 | 清代 雙龍戲珠鏤空花錢

清代 雙龍戲珠鏤空花錢

清代 雙龍戲珠鏤空花錢

清厭勝錢 | 清代 雙龍戲珠鏤空花錢

藏品介紹:

在悠久的貨幣史中,人們或出於對金錢的追求,或領會到金錢的神奇作用,甚至更簡單的來看只是源於對美的追求,在流通貨幣之外,衍生出一種並不是用於流通的錢幣,這類錢幣設計漂亮,內容豐富,我們將它們稱為“花錢”。

花錢是我國古代鑄幣中的特殊品種,它有錢的形式,又不作般流通之用,是傳承千年中華文明的較美實物資料!

花錢也稱為厭勝錢、壓勝錢、押勝錢。因這些錢大多有圖案花紋,故民間俗稱“花錢”。

歷史上的花錢雖不屬正用品,不能以“貨幣”視之,但可以“文物”、“古代藝術品”稱之。細審歷代花錢,各種書體具備,圖案內容豐富,涉及歷史、地理、宗教、神話、風俗、民情、文化、娛樂、書法、美術、工藝等各個方面,深入研究,大有學問。

鏤空花錢,是古代花錢中形制較為特殊的一類,為環錢形的透空牌飾,基本上保留了原始花錢的特徵——類似銅釦飾物,是在這個基礎上發展起來的。鏤空是中國傳統雕塑工藝的一種常見表現形式,較早出現在商周時期的玉器,並影響到以後的多種造型藝術。鏤空錢的花紋圖案藝術體現了製作者的美學思想,與窗花、門籤、剪紙、皮影、建築中的什錦窗、傢俱中的透雕、雙面繡等藝術互為影響。從出土資料看,古代馬具如鞍轡、革帶、簾帳、杖端等都可能裝飾,都與鏤空花錢的製作、發展有著密切的聯絡。鏤空花錢正是借用了中國傳統雕塑工藝的藝術表現手法,在表現中國傳統吉祥圖案方面獨樹一幟。另外,佩帶的錢牌也是古代花錢中形制較為特殊的一類,但其主要部位基本保留了古代錢幣的形制,和鏤空花錢不是一類。鏤空花錢的表現題材豐富多彩,主要有:人物故事、植物吉祥花草、動物、亭臺樓閣等。動物題材中常見的有龍、鳳、瑞禽、魚等。

此藏品為雙龍戲珠鏤空花錢,鏤空錢的藝術表現力強,內涵豐富,無論是構圖設計還是鑄造工藝,都達到了登峰造極的境地。其工藝的複雜程度以及藝術成就,是行用貨幣和花錢中以吉語為代表的文字類花錢無法與之相比的。就此而言,鏤空錢的藝術品位,在花錢大家庭中,應與藝術成就極高的神怪花錢比肩,同為中華民族文化藝術寶庫中的瑰寶。以龍為主角的鏤空錢較早所見為漢代的單龍,造型簡約舒朗,如行雲流水。此雙龍戲珠鏤空花錢存世量可以說非常稀有,雙龍炯炯有神,兩龍尾向上反捲相吻,龍尾相對,兩龍首之間有焰珠,造型古樸的雙降龍。

In the long history of money, people either pursue money, or understand the magical role of money, or even more simply come from the pursuit of beauty。 In addition to the currency in circulation, a kind of coin which is not used for circulation has been derived。 These coins are beautifully designed and rich in content。 We call them “spending money”。

Spending money is a special kind of coin in ancient China。 It has a rich form and is not used for general circulation。 It is a more beautiful material to inherit Chinese civilization for thousands of years。

Spending money is also known as being tired of winning money, pressing on winning money and betting on winning money。 Because most of the money has patterns, it is commonly known as “spending money”。

Although money in history is not a genuine commodity and can not be regarded as “money”, it can be called “cultural relics” or “ancient works of art”。 Examining the money spent in past dynasties, we have all kinds of calligraphy styles and rich patterns, involving history, geography, religion, mythology, customs, customs, culture, entertainment, calligraphy, fine arts, crafts and other aspects。 We have a lot of knowledge through in-depth study。

Hollow out is a special kind of money in ancient times。 It basically retains the characteristics of the original money - like copper buckle ornaments。 It is developed on this basis。 Hollow-out is a common form of expression of traditional Chinese sculpture technology, which appeared earlier in the Shang and Zhou Dynasties, and influenced a variety of plastic arts in the future。 The pattern art of hollowed-out money embodies the producer‘s aesthetic thought, and interacts with the arts of window flowers, doorboard, paper-cut, shadow play, mixed brocade windows in architecture, carving in furniture, double-sided embroidery and so on。 According to the unearthed data, the ancient harness, such as saddle, leather belt, curtain curtain, stick end and so on, may be decorated, which are closely related to the production and development of hollowing out money。 Hollowing out money borrows the artistic expression technique of Chinese traditional sculpture technology, which is unique in the expression of Chinese traditional auspicious patterns。 In addition, the money tag is also a special type of money in ancient times, but its main part basically retains the form of ancient money, and hollow out money is not a class。 The performances of hollowing out the money are rich and colorful, mainly including: character stories, plants, plants, animals, pavilions and pavilions, etc。 Dragon, phoenix, Swiss fowl, fish and so on are common in animal subjects。

This collection is a double dragon opera bead hollow out to spend money, the artistic expression of hollow out money is strong, rich in connotation, regardless of composition design or casting technology, have reached the peak of the situation。 The complexity of its craft and its artistic achievements are incomparable with the use of money and the money spent in the literary category represented by Jiyu。 In this regard, the artistic taste of hollowing out money, in the family of spending money, should be equal to spending money with the gods and monsters with high artistic achievements, as treasures in the treasure house of Chinese culture and art。 Dragon as the main character of the hollowed-out money seen earlier as the Han Dynasty’s single dragon, simple and comfortable shape, such as running clouds and running water。 This double dragon opera beads hollowing out and spending money can be said to be very rare in the world。 The two dragons are brilliant。 The two dragon tails roll upward and kiss each other。 The dragon tails are opposite。 There are flame beads between the two dragon heads。 The shape of the ancient double dragon is simple。

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